Over the top, almost

I recently went to a performance of Verdi’s nineteenth century opera, La Traviata. Like modern musicals, it was a multi-media spectacle, combining singing, dancing, narrative, an orchestra, scenery and lighting.

The outdoor harborside setting boosted the opportunity for grandiose effects, including fireworks and cast members arriving by boat. An enormous 3.5-tonne chandelier with 10,000 Swarovski crystals overhung the stage.

SWEET SPOT REACHED

The whole enterprise was over the top – almost.  This is surely the key to success in entertainment, communication or almost anything, which is knowing how far to push and when to ease back.

The sweet spot is the point just before the effort falls over the line into absurdity or ridiculousness.

Changing entertainments, watch any motor race and check the lead car. You’ll see lots of small evidence of the traction limits being approached, such as brief wheel locks during braking, sideways judders on the bends, tail wag under acceleration.

The winner is the person who can drive fastest without spinning out, colliding or failing to take a corner.

JUST THIS SIDE

The skill of motor racing is not to drive safely and under control, but to keep the car just this side of catastrophe. Similarly, an accomplished producer or communicator knows exactly where the traction limits lie.

Of course each medium has its own parameters or variables. Opera is not the same as motorsport or a politician’s speech.

But people who have mastered the sweet spot principle are invariably the most successful. This was just as true in Verdi’s time as it is today.

Photo by Borna Bevanda

 

Boris sets a rumpled example

What’s Boris Johnson’s main appeal? Anti-slickness.

The new British prime minister is notorious for his undignified stunts and sloppy personal appearance. But in an age of presentation coaches and instant feedback, this isn’t necessarily a liability.

Marketing guru Don Peppers in Life’s A Pitch calls it de-slicking your production. The idea is that a sharp and faultless presentation can intimidate people and work against you. Don recommends injecting a note of humanity, for example by giving some of your pitchtime to an unpolished junior who will likely make a few harmless slip-ups.

SCRATCHING IT

A handsome and imposing manager I met early in my career recommended rubbing your backside on the way out of the room to show you’re just a person.

Boris Johnson metaphorically scratches his ass in public. It’s both funny and deplorable. But slick it ain’t, and that should work in his favor.